THIS Rapper’s Scathing Feedback on LE SSERAFIM’s Vocals Stir Main Debate On-line — ‘Somebody Please…’ TERMAN WEBSITE

Within the realm of Ok-Pop controversies, rapper Owen has as soon as once more ignited a firestorm along with his latest video critique aimed squarely on the common woman group LE SSERAFIM. This newest incident provides to a string of provocative feedback from the outspoken artist.

The video, posted on Instagram on March 19, has shortly gained traction, amassing over 59,000 views and almost 3,000 likes.

Within the clip, Owen delivers a freestyle rap concentrating on LE SSERAFIM’s stay singing skills, accompanied by what seems to be a theatrical efficiency with a faux gun, intensifying his message.

LE SSERAFIM EASY, EASY, it is no secret they can not sing stay. – Rapper Owen

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Blunt Criticism Attracts Consideration

Rapper Owen’s direct criticism of LE SSERAFIM’s stay performances on numerous platforms has drawn sharp reactions from Korean netizens.

His labeling of the efficiency because the “LE SSERAFIM ‘EASY’ Remix” and his mocking dance strikes haven’t gone unnoticed, with some viewers labeling him as a “typical troublemaker.”

Netizens’ Reactions

Listed below are a number of fan reactions to Owen’s video.

• “Somebody please confiscate his telephone.”
• He is again.”
• “Blissful to see him lively on Instagram once more.
• “Typical troublemaker.
• “Rattling~ Hip-hop isn’t cool”
• “Please do it then”
• “This can be a little bit humorous lol”
• “This bro has every part huge”
• “I am going loopy kkkkkkkk”

Historical past of Provocative Remarks

This incident isn’t the primary time that rapper Owen has courted controversy. In 2021, he confronted backlash for a remark about ITZY member Ryujin, deemed inappropriate by many. The rapper’s penchant for making controversial statements continues to stir debate and dialogue throughout the Ok-Pop neighborhood.

Owen’s critique of LE SSERAFIM’s stay singing provides gas to ongoing discussions in regards to the pressures and expectations confronted by idol teams within the extremely aggressive Ok-Pop trade. The incident underscores the fragile stability between creative expression and public scrutiny that pervades the world of Korean pop music.

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Written by Cassidy Jones.